[T]he epitome of Hollywood filmmaking in ways both good and bad: uplifting, overlong, ambitious in scope but simple in moral vision, well-crafted but inured to irony.. . Director and co-writer John Krokidas doesn't have a very fluent gift for period re-creation - everything seems stagy - and most of the actors, playing divas of various stripes, overact.. The only thing it really kills is about an hour and a half.. Morgan Freeman doesn't play Mandela as much as inhabit the man, in a performance t...
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